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Fujifilm X-T4 Review: The Best of Both Worlds for Hybrid Shooters

By Scott Gilbertson
The company's latest APS-C mirrorless camera marries still photo pedigree with new video smarts, giving hybrid shooters the best of both worlds.

Leica M10-R Digital Rangefinder Review: Dreamy but Decadent

By Jess Grey
The latest entry in the company’s legendary M-series is a luxurious camera for a different world.

Camera Deal: DJI's Osmo Action Is $100 Off Right Now

By Scott Gilbertson
The company's compact action camera is a worthy GoPro competitor, especially at this discounted price.

Canon’s new R5 and R6 mirrorless cameras offer big video upgrades, bird eye autofocus and more

By Darrell Etherington

Canon has finally fully revealed its much-anticipated R5 and R6 mirrorless interchangeable lens cameras, and they look like very strong contenders for the field. The R5 is the new flagship of Canon’s mirrorless line, and it’s priced accordingly at $3,899 for the body alone. The R6 is its ‘affordable’ sibling at $2,499 for the body alone, and still includes an impressive list of features including some of the biggest autofocus system improvements common to the R5.

Canon EOS R5

The R5 is essentially now Canon’s top of the line interchangeable lens camera, barring the 1D X III. It has a 45 megapixel full-frame sensor, which is brand new with this camera, and uses the same DIGIC X processor found in the EOS-1D X III. Along with in-body image stabilization (which stacks with lens stabilization, if available), it has the ability to shoot 8K video at 30 frames per second – uncropped, meaning it uses the full resolution capabilities of that large sensor for maximum quality.

The R5 can capture 4K footage at up to 120 fps, and it can record 10-bit 4:2:2 footage using either C-Log and HDR PQ internally for maximum dynamic range and editing flexibility. This is really the camera that video pros and enthusiasts have been asking Canon to make, and beyond, since the 8K capabilities should mean it’s relatively future-proof.

Image Credits: Canon

Catering further to video pros, there are both mic and headphone jacks on the R5 body, and an optional wireless title transmitter grip can add an Ethernet jack and facilitates more advanced multi-camera linked shooting features. The R5 also features a fully articulating fold out display, and an electronic viewfinder with 5.76 million dot resolution. It’s weather sealed for outdoor shooting in a range of conditions, and has two card slots, including one CFexpress slot and one SD card slot.

For both still and video shooters there’s an autofocus system that uses Canon’s Dual Pixel technology to deliver AF across the entire frame. It can also detect human faces and yes, as well as the eye face and body of animals including not only dogs and cats but also birds – sure to be a popular feature among wildlife photographers. Also great news for still shooters is the 12 fps burst rate, which climbs to 20fps when using the software shutter.

Canon EOS R6

Image Credits: Canon

The R6 is similar in size and feature set to the R5, but has a much lower resolution 20.1 megapixel full frame sensor. It also shoots video at a maximum of 4K/60fps (with slight cropping), and has a lower resolution OLED EVF vs. its more expensive sibling. It also has Dual UHS-II SD card slots in place of the CF/SD combo on the R5, and less rigorous weather sealing. It also lacks the R5’s top e-ink display.

Still, it does include the same AF features and uses the same new battery type as the R5, and is compatible with the BG-R10 battery grip that also works with the more expensive camera. It finally sounds like a true and capable competitor to other options that have retained popularity among video enthusiasts and creators like the Sony A7 III even as Canon has released newer cameras like the EOS R and RP.

One potentially disappointing note for both cameras is regarding battery life, where the rating is around 320 shots with the LCD or just 220 shots on a full charge when shooting with the EVF. Sony’s A7R IV manages between 530 to 670 shots with the EVF and LCD respectively, for comparison.

New RF lenses

Canon’s camera hardware sounds like it delivers on a lot of what Canon fans, photographers and videographers have been looking for from the company for many years. But the real advantage of Canon’s system might reside in its RF glass, which has excellent reviews for all its existing lenses, and which is also gaining a bunch of versatile new products across the price range.

Image Credits:

These include a new 100-500 f4.5-7.1 superzoom ($2,699), which includes built-in image stabilization and should be a fantastic option for birders and wildlife photographers. There’s also affordable new RF600mm ($699) and 800mm ($899) fixed aperture f11 primes that won’t be useful in low lighting but that should be fantastic for sports and wildlife outdoors. Finally, a new RF85mm F2 ($599) with close-focusing macro capabilities seems like an awesome mid-range portrait and close-up lens.

Canon is also releasing 1.4x ($499) and 2x ($599) teleconverters for its RF lenses, which is a standby that every well-rounded system needs.

The R5 is set to be available at the end of July, and the R6 is going to begin shipping at the end of August. The lenses range in available from July to October, and the extenders will be shipping at the end of July as well.

The 7 Best Drones (2020): Budget, Toys, Professional Video

By Scott Gilbertson
Whether you want to battle Star Wars spaceships or shoot a cinematic masterpiece, you'll find a pick that's perfect for you.

DJI Mavic Air 2 Review: The Best Drone for Taking Photos and Videos

By Scott Gilbertson
With a major camera upgrade, new automated flight modes, and longer flying times, this is the drone we recommend you get.

Pivo Pod Review: A Camera Assistant for Aspiring Social Media Stars

By Medea Giordano
Bored in the house and you're in the house bored? This rotating gadget takes the effort out of capturing fun, quirky videos.

Protest Photography Safety Tips: Dos and Don'ts, How to Blur Faces, Essential Gear

By Jess Grey
Here's our guide to taking photos safely at a protest, what not to do, what gear to bring, and how to remove location data and blur faces before uploading to social media.

Sony’s ZV-1 compact camera zooms in on vloggers

By Devin Coldewey

Sony has taken aim at the suddenly enormous market of people who want to self-produce high-quality video with a minimum of setup. Its ZV-1 mutates the versatile RX100 series into a selfie video machine, and it could be the all-in-one solution many a vlogger has been searching for.

The new camera is very much based on the highly successful and acclaimed RX100, which over the years has grown in both price and capabilities but remains something the user is behind, rather than in front of. The ZV-1 rethinks the camera for people who need to work the other way round.

The 1″, 20-megapixel sensor and 24-70mm equivalent, F/1.8-2.8 lens are borrowed from the RX100, meaning image quality should be excellent (though vloggers may want a wider-angle lens). But the camera has been customized with an eye to selfie-style operation.

That means the electronic viewfinder is gone, but there’s now a fully articulating touchscreen display. A powerful new microphone array takes up a large portion of the camera’s top plate, and the ZV-1 comes with a wind baffle or deadcat that attaches to the top hot shoe, giving the camera a flamboyant look.

Image Credits: Sony

A huge new dedicated record button is placed for perfect operation by a left hand holding the camera from the front, and the zoom dial should be thumbable from there, as well. A new “background defocus mode” uses the widest possible aperture, naturally narrowing the depth of field with no need for all the AI rigmarole found on smartphones — and it’s smart enough to switch focus to the product a vlogger is being paid to promote when they hold it up close.

All told, this could be a convincing works-out-of-the-box solution for people who may be juggling a panoply of hardware from multiple generations to get the same thing done. The proven RX100 image quality and reliability, combined with ergonomic tweaks to make it more selfie-friendly, might entice people thinking of putting together more complex setups.

At $800, or $750 if you order in the next month, it’s certainly more expensive than an entry-level setup, but probably cheaper (and definitely easier) than getting a mirrorless, lens, mic and other accessories you might need to match it.

The Top 3 Rugged Cameras for Daredevil Shooters

By Jess Grey
Don't rely on a delicate smartphone for those \#OutdoorAdventure moments. Get a camera that laughs in the face of danger.

Film Photography Can Never Be Replaced

By Jonathon Keats
Old-school image-making liberates us from algorithms—and helps us pursue an unfiltered connection with our own creativity.

Fujifilm's Street-Friendly X100V Checks All the Boxes

By Scott Gilbertson
The latest model in the series features top-tier image quality, responsive controls, and a portable design that oozes retro charm.

These 360-Degree Cameras Have Seen It All

By Julian Chokkattu
These lookers capture everything around you, then give you tools to serve up shareable edits of your videos.
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