Sony announced a successor to its popular A9 mirrorless interchangeable lens full-frame camera today. The A9 II carries over some of the specs and stats of its predecessor, like the 24.2 megapixel stacked imaging sensor, but adds an upgraded BIONZ X image processor, which powers the much more powerful autofocus capabilities in the new camera.
Sony debuted a number of improved AF features on its A6400 APS-C camera earlier this year, and its brought those and more to the A7R IV it launched at the beginning of September, and on this new iteration of the A9. There’s real-time eye autofocus for both people and animals, with right and left eye selection for animals, along with real-time eye AF during movie shooting, and the company’s real-time object tracking, which basically sticks your focus point to whatever you want to point it at remarkably well, based on my experience with it in other modern Sony cameras.
Other new features to the camera include a body with upgraded dust and moisture resistance, which Sony also brought to the A7R IV, as well as a beefier design with a deeper grip that should be a welcome change in terms of ergonomics, especially for photographers with bigger hands. And while it uses the same battery, it also is rated for slightly more shots.
Sony also brought its new digital audio interface to the hotshoe on the camera, again something it first introduced in the A7R IV. That will let you use their new shotgun mic and XLR adapter to pipe audio from external sources into the camera when recording video.
This camera is really intended to meet the needs of photographers who need high-speed capture capabilities, and Sony has bumped things up there, too. You get blackout-free, silent continuous shooting at up to 20fps, with a buffer size capable of capturing 361 JPGs or 239 of Sony’s ‘compressed’ RAW files in one continuous go – it can also calculate AF and auto exposure at up to 60 times per second, so each of these should be in focus and properly exposed even in changing lighting conditions.
The new A9 II goes on sale in November, and will be priced at $4,500 for the body only.
GoPro’s successor to the Hero 7 is likely coming on October 1, as the action camera maker has posted a teaser with the date to its official website. The tagline “This is Action” appears over a fast cut mash-up of variety of shots, including off-road racing, underwater diving and what looks like close-up footage of Frank Zapata (or someone else with a jetpack) flying around, along with the date.
The mostly shadowed image above is the closest we get to an official product shot, but we’ve seen leaks sourced from photo-focused rumor site Photo Rumors that suggest a redesign with added expandability options for advanced accessories including front-facing display monitors and external flash. These leaks also include some potential specs, like a new GP2 chip to help with on-board image stabilization, better lenses and image quality, and a new 12MP sensor, in addition to the new optional housing and accessories.
GoPro’s Hero 7 introduced HyperSmooth stabilization, which provides gimbal-like results without the actual gimbal thanks to advanced digital stabilization technology that GoPro developed in-house. But the company also saw the introduction of its strongest-yet competitor in the market this year with the DJI Osmo Action, a GoPro-like action camera from drone and gimbal-maker DJI, which is at least on par with the Hero 7 in terms of stabilization and quality, with added features aimed at the vlogging market like a built-in front-facing display.
The slogan “This is Action.” could actually be interpreted as a dig against its newest rival, since Action is capitalized and the DJI camera is literally named the “Osmo Action.” Hopefully GoPro does indeed get a little spicy about its competitor, since it’s a market that could definitely stand to benefit from some genuine competition in the higher end of the category.
I’m a big instant camera fan, but the film is expensive and the digital printers just aren’t very good. So I was delighted to see this alternative seeking funds on Kickstarter: the Alulu camera, which prints photos in black and white on receipt paper. Why did no one do this before?
The idea is so simple that you’ve already gotten it — no explanation necessary. But because explaining things is my job I am going to do so anyway.
The Alulu is an idea incubated by three friends as they left college, each heading their separate directions but looking to take a shot at making this cool gadget a reality before doing so. Right now it only exists in prototype form (they only thought it up in May), but it works more or less as intended, and it’s as silly and fun as I wanted it to be; I got to test one out, as it happened that one of the team members happened to live in my neighborhood.
The camera is a little box about the size of a fat point-and-shoot, with charming little dials on the top to select exposure mode or a 10-second timer if you want it, and a shutter button that’s hard to miss. On the side is the charge port and a button to advance the paper. And the back has a little frame that flips out and helps you set up your shot — very loosely, I hardly need add.
Inside the 3D-printed, acrylic-plated exterior, the guts of the camera are simple. An off-the-shelf camera stack that does all the hard work of actually taking a picture — but don’t worry about the megapixels, because they don’t matter here. The camera sends its signal to a custom board that prepares and optimizes the image for black-and-white printing.
To be clear, we’re talking black and white, not shades of grey. The printer inside the camera is a standard receipt printer, which uses heat-activated ink that’s either transparent or black and nothing in between. You feed paper in via a little chamber on the bottom.
Thankfully creating the appearance of shading in 1-bit imagery is old hat for computer graphics, and an algorithm dithers and tweaks the picture so that more or fewer dots in various patterns create the illusion of a wider palette.
The results are… well, photos printed on receipt paper. Let’s keep our expectations in line. But they’re instantly printed (with a little stutter like a dot matrix printer) and charming little artifacts indeed. You can even use receipts you’re given at stores or restaurants, if they fit, and you can always fold it over a bit if it’s too large.
(By the way, if you’re worried about being poisoned by receipt paper, don’t be. The stuff with high BPA content was generally phased out a while back, and you can order non-poisonous rolls of paper easily and cheaply.)
I think this thing is great, though I’m afraid that the projected $99 retail price might be too high for what amounts to a novelty. The idea, I was told, was to drive the price down with mass manufacturing, but until they do so they want to be honest about the cost of the parts (the printer itself is the most expensive piece, but like everything else the price goes down when you order a thousand or more).
Whether it makes it to the factory or not, I think the Alulu is a great idea. We need more weird, one-off devices in this world of ours where every function seems to devolve to the smartphone — and I’m tired of my phone! Plus, it can’t print on receipt paper.
The Alulu is currently looking for backers on Kickstarter. Go give it a pledge.